Showing posts with label Jon Gibbs. Show all posts
Showing posts with label Jon Gibbs. Show all posts

Sunday, October 24, 2010

Give Yourself Permission to Fail

For many writers, rejections are a bit like a trips to the dentist. They’d do almost anything to avoid them rather than risk getting bad news.  

You can understand someone being afraid of dentists (I know I am), but why fear rejection? What’s so terrible about someone passing up the chance to publish your work?

I think it’s partly because, no matter how much we like to pretend we don’t care, it hurts to have a story turned down. And so it should. If you don’t care if your story gets accepted, why submit it there in the first place? But I believe there’s more to it than worrying about the sting of being told ‘No thank you’ by someone you’ve probably never met.

A rejection, especially when we’re starting out, is a hammer blow to our self-confidence. The bad news for would-be writers is that you’re going to get rejected, probably quite a lot. If getting published is important to you, those rejections are going to hurt.

The good news is that it gets easier. The more knocks you take, the tougher you’ll get, and if you make the effort to improve your craft, if you’re willing to recognize your mistakes and learn from them there’s a good chance that you will get published.

So go on, give yourself permission to fail. Take a deep breath and pitch that story.

One day, your dream will thank you.


__________________________________________




Born in England, Jon Gibbs, now lives in New Jersey, where he’s a member of several writers' groups, including SCBWI and The Garden State Horror Writers. He is the founder of The New Jersey Authors’ Network and FindAWritingGroup.com.

Jon's debut novel,
Fur-Face (a Middle Grade fantasy about unusual friendships, unlikely alliances, and wanting to fit in), was published in eBook form by Echelon Press in 2010 (click here to see the trailer).

His presentation/workshop,
The Fine Art of Self Promotion
is based on entries from his popular online journal,
An Englishman in New Jersey.

Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.


Sunday, October 3, 2010

The Critiquee’s Charter

No matter how many times it happens, I’m always surprised when someone gets upset by feedback from his/her fellow writers. I imagine we’ve all had (or seen) our share of unpleasantness resulting from both verbal and written critiques we’ve given.

It got me thinking. Maybe we ought to have a universal charter that people should read before submitting their work for feedback.

It would go something like this:
 
The Critiquee’s Charter 

1.      As the person submitting my work for critique, I understand that people have taken time away from doing other things to provide me with feedback, something which will undoubtedly help me more than it will them. Though I may feel hurt by their comments, and may not agree with their observations, or decide not to implement the changes they recommend, I will keep that to myself.   I will remember that I am grateful, and take the time to thank them for their input.

 

2.      I recognize that not everyone has the same critique style. Therefore, unless we’ve agreed on a specific method beforehand, I will accept feedback in whatever form the critiquer cares to provide it.

 

3.      I want people’s honest opinions. If they give them in a way that upsets me, I will recognize that one person’s ‘rude git’ is another person’s ‘straight-talker’, and re-read item #1 until I feel better.

 

4.      If all I want is applause and a pat on the back for a job well done, I will not waste my critiquers’ time asking for feedback. If I do, I understand that it serves me bloomin’ well right if I don’t get the glowing praise I expected.

 

5.      If I think the critiquer just didn’t ‘get it’, I will re-read #1 until the urge to say so has passed.

 

6.      If I think the critiquer doesn’t know what he/she is talking about, I will re-read #1 until the urge to say so has passed.

 

7.      If I want to disagree with a critique, I will re-read #1 until the urge to do so has passed.

 

8.      If several people make similar observations, I will at least consider the possibility that, despite my undoubted genius, I may have missed something important.

 

9.      If someone gives me a harsh critique, I promise to remember that I am (in years at least) a grown-up, and will resist any temptation to ‘repay’ them when I review their work.

 

10. I understand that some people actually set out to critique in a spiteful, hurtful, manner. They like to show off at the expense of others, and have little or no interest in helping others improve their work. On those rare occasions when I come across these people, I will remind myself that idiots like this are the exception rather than the rule. I will learn to recognize and ignore them, and remember that (as a certain old gran used to say), ‘It’s better to be upset by people like that, than to be people like that.’

 

11. At all times, I will try to remember that critiques are just opinions which, like spouses and children, can be embraced or ignored however one sees fit. 

 

12. ________________________________________________

  
 
I left #12 blank. What would you put in there?
 
Has someone you critiqued ever got upset at you?

__________________________________________




Born in England, Jon Gibbs, now lives in New Jersey, where he’s a member of several writers' groups, including SCBWI and The Garden State Horror Writers. He is the founder of The New Jersey Authors’ Network and FindAWritingGroup.com.

Jon's debut novel,
Fur-Face (a Middle Grade fantasy about unusual friendships, unlikely alliances, and wanting to fit in), was published in eBook form by Echelon Press in 2010 (click here to see the trailer).

His presentation/workshop, The Fine Art of Self Promotion is based on entries from his popular online journal, An Englishman in New Jersey.

Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.

Sunday, September 12, 2010

‘Yes’ Moments.

As a writer, I’m always looking to create that ‘Yes!’ moment in a story. I don’t mean a catchy opening to hook the reader, or even great characters and compelling plot (though I want those too). I’m talking about the point in a story which literally pushes the reader’s ‘Yes!’ button. It creates a perception change which turns whatever they’re reading from being just another book or story to something they can’t put down. It makes them want to share that experience with others.

Ever laughed out loud, burst into tears or just sat back and said ‘Wow! This is great!’ while reading a novel? Those are the ‘Yes!’ moments. They’re the ones we remember for a long time, and (for me at least) those books and stories are the ones we talk up the most.

I believe it’s that ‘Yes!’ moment connection which makes the difference between people forgetting all about the novel they just read, and recommending it to (perhaps even buying it for) someone else. It’s what makes them remember a writer’s name as well as the book’s title. It’s what makes them seek out more of that author’s work.

So how do we go about creating a ‘Yes!’ moment?
I wish I knew. I thought I’d got the crying part nailed – people often burst into tears when I suggest they read my work – but apparently that’s not quite enough.

I do think it requires a strong emotional connection with at least one character in the story, but there’s more to it than just empathy.

Although I’m calling them ‘Yes!’ moments, I think the particular scene or line of dialogue which triggers them is the tipping point rather than the stand-alone cause. The connection with the reader started on page one and (hopefully) built up from there.

What does a ‘Yes!’ moment look like?
For me, they usually come as a surprise. Most of the time it’s a laugh out loud piece of dialogue or a minor story twist, immediately followed by a shocking/sad moment in the story (or vice versa). It could be a piece of raw honesty from a character I related to, or the death/break up/departure I knew was coming but hoped wouldn’t. Sometimes it’s the happy ending, or the poetic justice of the villain’s demise.

My guess is that different readers experience different moments. What connects with some people leaves others cold, so we should aim to have more than a few. If we write them well and work them smoothly into the rest of our story, I’m sure our readers will notice…at least, I hope they will.

How about you?

What ‘Yes!’ moments have you had while reading?


__________________________________________




Born in England, Jon Gibbs, now lives in New Jersey, where he’s a member of several writers' groups, including SCBWI and The Garden State Horror Writers. He is the founder of The New Jersey Authors’ Network and FindAWritingGroup.com.

Jon's debut novel,
Fur-Face (a Middle Grade fantasy about unusual friendships, unlikely alliances, and wanting to fit in), was published in eBook form by Echelon Press in 2010 (click here to see the trailer).

His presentation/workshop, The Fine Art of Self Promotion is based on entries from his popular online journal, An Englishman in New Jersey.

Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.

Sunday, August 22, 2010

Beware Excusitis – the Failure Disease

Earlier this year, I caught a dangerous virus. Not one of those computer ones, mind, but something just as scary. This disease is easy to catch and hard to shake off. Symptoms include sapping of morale, veritable plagues of self-doubt, and in extreme cases, death of ambition.

I’m talking about Excusitis – the failure disease, and if you don’t take positive steps to cure yourself, you risk losing not only your dream, but the desire to even pursue it.

We all have that little voice in the back of our mind that can justify any failure. This would never have happened if it hadn’t been for… If I’d only known about this two weeks ago… etc.

Nobody likes to lose, so we learn to tell ourselves whatever half-truth (or downright lie) we need to hear that will take the sting out of failure and put responsibility on something (or someone) else.

Of course, that’s not to say we should always blame ourselves. There are plenty of times when events really do conspire against us, but the trouble is, every time we lay the blame elsewhere we open the door to Excusitis and believe you me, once that little rotter gets its size sixteen boot across the threshold, you’re in trouble.

Take writing for example. Ever had to cancel your writing time because of a last-minute crisis at work kept you out late, or the traffic was bad? Maybe one of the kids got sick, or family came to visit. Perfectly acceptable reasons one and all, but have you ever noticed how one valid excuse always seems to lead into another? Before you know it the week’s gone by and you’ve done no new writing at all. But that’s okay. You’ll catch up over the weekend, right?

Only you don’t.

Something else comes up, then something else after that, and with every new obstacle the decision to put off writing gets easier. You stop going to your local writing group. After all, there’s no harm in missing a meeting or two. Besides, it’s not like you’ve got anything new to show them, right?

A few months back, Excusitis took such a hold on me that I virtually stopped writing altogether. Sure, I was busy with the book launch, my blog, and trying to keep on top of everything else in my life, but that's my point. Valid excuses are all well and good, but they don't get the job done.

Once Excusitis burrows its way into your brain, it sits there, poisoning your dream by providing you with perfect-sounding reasons for why it was okay to miss that goal you set yourself. And without you ever realizing what's happening, it wraps itself around your ambition and slowly, gently squeezes the life out of it.

Some people never recover. They become bitter, angry even. Where they once gave fellowship and support to fellow writers, they offer discouragement. "Publishing's a lottery...Who needs an agent anyway..." They tear people down instead of building them up. They mock the work of other, more successful writers, relishing in the faults in that bestselling book, rather than studying it to see what the author did right.

Luckily for me, my old gran had a cure. It has a 100% success rate too (though repeat prescriptions are advised), and being the nice chap that I am, I’m going to share it here. My old gran called it the “Don’t just stand there, do something, you great dozy twannock!’ remedy, but a more regular term for it would be:

‘Take immediate action.’

The ‘immediate’ part is the key. It’s no good telling yourself you’ll write later. Just stop whatever you’re doing, grab some paper and jot down some words. They could be potential titles, a few ‘What ifs?’ or even some character notes. It really doesn’t matter. The important thing is that you do some writing, right then and there. Think of it as jump-starting your dream.

Is this a one-dose cures all deal? Absolutely not. You need to take repeated immediate action several times a day, for as long as it takes, but just as putting off writing gets easier the more you do it, so does the cure, and if you keep at it you’ll soon be back in the swing of things.

I'm back on track now, but you never fully recover from Excusitis, so I'm keeping a sharp eye out for signs of a relapse.

Now you know the danger signs, the next time that little voice in your head tells you it can’t hurt to skip your planned writing time once in a while, or that you needn’t bother sending out that story or query letter because… just think of my old gran’s encouraging words, reach for that notepad and start writing.

One day, your dream will thank you.

My name's Jon. I have Excusitis, but I'm not going to let it stop me writing today.

How about you?
__________________________________________




Born in England, Jon Gibbs, now lives in New Jersey, where he’s a member of several writers' groups, including the New Jersey chapter of SCBWI and The Garden State Horror Writers. He is the founder of The New Jersey Authors’ Network and FindAWritingGroup.com.

Jon's debut novel,
Fur-Face (a Middle Grade fantasy about unusual friendships, unlikely alliances, and wanting to fit in), was published in eBook form by Echelon Press in 2010 (click here to see the trailer).

His presentation/workshop, The Fine Art of Self Promotion is based on entries from his popular online journal, An Englishman in New Jersey.

Jon can usually be found hunched over the computer in his basement office. One day he hopes to figure out how to switch it on.