Worldbuilding Resources

It's been a year since my last blog post about Worldbuilding, so it's probably time to update some of the resources I use. At MarsCon 2018, I was on the "Resources for Speculative Fiction Writers" panel along with S.N. Arly, Naomi Kritzer, and Ozgur K. Sahin. S.N. Arly compiled all the websites we shared into several posts on her tumblr. Links cover not only worldbuilding, but clothing, names (actual as well as generated), science, and highlights from the panel discussion.

Rather than going over everything on the list, I'll just say, check it out and make a note of it (I've put a link to it on my own writing aids website) for later use. There are a number of valuable links there.

Societies, of course, also have their own sets of manners and fashion, both of which, again, are dependent upon elements such as technology, resources, religion, and environment.

Martha Wells has a writing guide page that has diversity suggestion links as well as basics on submitting and promotion.

For middle school and high school beginning writers, Jeffrey A. Carver has "Writing Science Fiction and Fantasy", a step by step website with examples on worldbuilding.

I've found Technovelgy useful not only as a place to check when certain technology appeared in science fiction (1898 for asteroid mining, btw), but also as a gathering spot for recent technology news and inspiration.

What resources have you found useful? Any links to add?

Finding Character Names

At CONvergence 2012, one of the panels I was able to attend was "Naming Characters". The enticing description was "The secret art of coming up with good names for your characters". Panelists included Tamora Pierce, SN. Arly, Scott Jamison, Sean M. Murphy and Veronica Cummer.

Several of the panelists agreed with the standard "what the character's name meant was important", even if no one else in the story knew the meaning of the name or even what their own name meant.

To put that much work into choosing a name is understandable for the major characters. But what about for the walkon characters? The ones that may only have one or two lines? The thing is, though, sometimes you never know how important a character may become. I've lost count of how many times I've heard about a minor character suddenly taking over the story. Sometimes that might mean renaming the character. Sometimes the name already in place works. But why take chances?

So where do you find character names? I still have six or seven baby name books and books about surnames from the days before the internet. Several of the panelists mentioned baby name books as well. There are websites for baby names and character names. Some of the websites, however, don't list as many names or meanings as my paper books. Some useful websites (unfortunately with ads) are Baby names and Baby Name Wizard. There are many others out on the web.

Several of the panelists listed how many foreign language dictionaries they have. I have Welsh, Anglo-Saxon, Latin, Russian, Spanish, German, and Swahili and used the Hungarian and Slavic dictionaries at the university library. Now, true, many of the words in a dictionary are not often used as names. When you're creating a new world (whether fantasy or science fiction), however, you can use the dictionaries as a starting point. Then, as several panelists also suggested, you change the spelling slightly.

One of my characters in Talking to Trees has such a name. But I decided to have a bit of fun with it after hearing complaints from nonfantasy readers about the long names in fantasy stories.

Jody looked around at the trees as she nibbled on the strip. "You know what I think, ah..." She still couldn't remember that girl's name. Till..will.. "Willow. I think we should--"

The girl's eyes snapped open. "My name is Twylgalit. Not Willow. Not Gally. Twyl-gaaa-lit."

Jody was surprised. Why was she making such a big fuss? It was only a name. "Hey, sorry. It's only a name."

"But it is my name. My name is important to me. In the language of my people it defines me."

"It does?"

"'Twylgalit' means 'twilight wood.' It means I am the last of my people."

"The very last?" Jody shook her head. "Creepy."

Twylgalit studied her. "Doesn't your name mean anything? What is a jody?"

Jody shrugged. "I don't know. It was one of my grandmothers. Peter was named for one of our uncles. Thank goodness, otherwise we might have been stuck with some cute twin names."

"Twin names?"

"Names starting with the same first letter. Like...oh, Brittany and Brian. Actually, I think I'd rather be called Brittany. Or maybe Caitlyn. Then Peter would have been stuck with a 'C' name like Cedric or...Clarence." She snickered. "He would have hated that."

"Even if it was his name?" Twylgalit shook her head. "I do not understand."

"Whatever," Jody said. "Anyhow, your name is too long."

Twylgalit eyed her. "Brittany is just as long."

Jody rolled her eyes. Why doesn't she understand? "Okay, your name is too hard to remember. Can't I call you something else?" Jody tried to remember the name her twin had used. It was a type of fabric or a pattern-- "Peter called you Twyl. Would that be okay?"

The girl raised her head and slowly turned to look behind her.

Jody scowled. All this fuss about her name and now she wasn't even listening to her! "I said--"

"I heard." Twylgalit turned back. "It...it is acceptable." She lifted one foot. Clods of dirt fell away from it.

Jody continues to have name problems as they meet other characters.

She noticed the two green-skinned girls exchanging glances again. Jody had the impression they weren't saying something as well. "Hey, where's the other girl? Um, the tall one? With the leafy dress? What are your names, anyway?"

"You won't like them," said one.

"You don't like long names," said the other.

"Well, I've got to call you something," Jody insisted. "I'm Jody and she's Twyl."

"She is called Twylgalit," said the girl with the yellow-orange belt. "We heard you talking."

"You can call me Brittany," said the other girl. "I like the sound of that name."

"And I like Clarence," said the girl wearing the belt.

"I can't call you Clarence," Jody protested. "That's a boy's name."

"But I like it," the girl insisted. She looked over at the other girl. "Brittany."

"Clarence," said the girl now called Brittany. Both girls started laughing and pointing at each other.

I don't see what's so funny, Jody thought. She heard a muffled sound from Twyl, but when she glanced up at the girl, Twyl was studying the lights in the branches above them.

If you have a family in your story, sometimes names are passed down to honor family members. One of the panelists pointed out that, after his days of working for a credit agency, he recommends against naming a child for a living relative (as in the first and last name are the same) because nowadays that causes so many credit problems. But for a historical story, that would be entirely appropriate. I've been doing genealogical research on my own family and had never realized how often names were repeated. For example, I've got six Charleses and six Josephs. I finally linked the appearance of the Frank and Francis back to a great great grandmother, Franciska (or Francisca, depending on which census), and I'm sure if I ever find her parents' generation, I might find the relative that she was named after. Considering that she named her daughter Maria Franziska, there has to be a story behind that name. Throughout my family tree there were several generations in a row (grandfather, father, son, or grandmother, mother, daughter, etc.) with the same first name. Or, as with Maria, the name was moved to be the middle name. This is one of the times I would ignore the 'rule' of not having characters with the same name (or first initial) in a story.

Phone books used to be a useful resource to skim through, but perhaps that only applies to big city phone books. In small town Winona that means an overabundance of Polish, Norwegian and Swedish names. I used to be able to look through phone books for other cities at the public library, but that's no longer the case.

Because I worked at a university, I kept the commencement lists from graduations over the years. I have a good collection of first, middle and last names there to help me figure out what names work well together (and several examples of 'why would any parent would name a child that!').

Where do you find your character names? What is the most interesting name you've found?

WHAT'S IN A NAME?

Every writer knows the importance of a character’s name in a story. Think Pansy O’Hara, instead of Scarlett O’Hara. We picture a quite different character when looking at these two names. These names are both fictitious. What I want to discuss today is using “real” names for our characters. Is this good or bad?


In my young adult historical novel, my major characters are fictional, so no problem there. I did use names such as Ulysses S. Grant, John Pemberton, and Jefferson Davis. Except for Pemberton, who has a very brief part, they’re only mentioned, not actual characters in the story. The setting is real and the siege of Vicksburg, Ms, actually occurred. The facts can be checked, so those I’m comfortable with.

The story that worries me, where I changed the names again and again, is my middle grade historical Scattered to the Winds. Since the story is loosely based on my mother’s life, I started out using her name. As it is her story, it seemed like the thing to do when I was writing it. Her brothers and sisters also have their real names, as do the parents and foster parents. Then I decided I might need to use fictional names, so I played with different names that were popular during the early 1900s. I wrote another draft of the story with the new names. It was not my mother’s story, though. So I went back to the original version, and it will be published using their “real” names.

After I sold the manuscript, panic set in. All of the characters are deceased now, most many years ago. It’s not that I say anything bad about them, but I still wonder how they would feel reading this part true, part make believe story with their names. And, since I wrote the story I have met some of the descendants of my mother’s foster parents. They call me “cousin” and are the nicest people. They’ve even given me a genealogy of the family. What will they think, however, when they read my story about their grandmother and grandfather? Much of the story comes from my imagination, because I know so little of the facts of their lives. The “cousins” know about my book. They’re waiting for it to be published, and I am scared.

What will they think? (Yeah, a bit late for me to consider this.) I hope they will like it. What if they hate it? Yes, I know, writers are notoriously insecure. Anyhow, what about you? Do you ever use “real” names in your stories? If so, are you nervous about it? Or has it turned out great?

A Rose By Any Other Name (Sorry, Mr. Shakespeare)

What's in a name? For me, as a writer, everything.

I know writers who can actually work on a new story while calling their main characters "A" and "B" or merely leaving blanks where the names should be. I have never been able to do that, so I don't understand that ability at all. I envy it and at the same time, I can't help being mildly shocked by it at the same time.

My stories always start with a named character. When I write a novel or a story, I usually have a pretty good sense of where it's going, what's going to happen, and whether my protagonist is male or female. But until I have that character's name, I'm in a bit of a bind. And not much gets written.

For me, meeting a character for the first time requires a proper introduction. And the introduction by definition requires a name. When I wrote Saving Jake, I already had the name "Jake" in my head. The rest of the characterization was so easy once I had the name that I usually tell people that Jake rang my doorbell as a fully developed person. I know exactly how he looked (long hair, sad brown eyes), exactly how he dressed (bottle-green trench coat from a second-hand shop and a pair of red high tops), and exactly who he was (sensitive, artistic, and rebellious). Until I had his name, though, the rest of those details were nonexistent.

In the manuscript I am currently sending out, Daniel Rhode appeared on my doorstep, told me I couldn't write the book without him, and proceeded to take over an entire subplot that I didn't know existed until he turned up. Like Jake, Daniel's personality came intact with his name and there was very little I didn't know about him.

I find that when I'm really struggling with a story, there's a pretty good chance I don't have the right name for my main character! As goofy as that sounds, I need to know who it is I'm writing about and until they come up and whisper their names into my ear, I haven't got a clue.

A rose by any other name may smell as sweet, but a character with the wrong name will never share his or her story with me no matter how I work at it. And having no name? That's just love's labors lost.