Thursday, March 31, 2011

Release of Odessa of the Seraphym Wars YA Series

At 15 Myrna was attacked by demons. At 17 she was sent to kill them, with the help of six other teenaged Vigorios. But are the romantic advances of three warriors demonic distraction or real love? How will she know in time?

So, Friday’s the BIG day!

For nearly 30 years I’ve thought about, dreamed, written chapters then tossed them, talked about, researched the product that releases Friday, April 1st. The irony of its release falling on April Fool’s Day has not been lost on me, either.

For 99% of those 30 years I was too busy teaching or mothering to take time to write. I got up at 5 am for a while and typed away on my portable typewriter, but that grew old and didn’t last long. But the story—the girl who would save the world from evil—never left me. It changed, grew, evolved, changed some more. But from beginning to end, the basic story stayed the same.

So now it begins. Officially. For all to see—or read. I hope readers will see the story in their heads as they read it. I did. It was plain as a movie during the writing. And as I reread, revised, tightened, edited and prepared it for public consumption, I thought it was a pretty darn good story. At some points I laughed, at others I cried. Lots of adventure, lovable and intriguing characters, some sexual tension, childhood and teenaged issues to deal with all set on a foreign world full of danger and creeping evil. Then there were the dragons. How could anyone NOT like a story with suspicious, evil, shape-shifting dragons? Right?

Then why, as I write this, is my stomach churning and I feel nauseated thinking about others reading my story? For 30 years I’ve wanted this. I wonder if each book release will be this tension-filled. Do you suppose there comes a point when an author says, “I’m a good writer and I know it because I have a truck-load, no—not big enough--train-load full of fans.” And with every release they sit back and sip champagne? Somehow, I don’t see myself ever reaching that degree of calmness. I’ll always worry if it’s good enough, scary enough, well-written, intriguing, will hold the reader’s attention.

I guess I’ll know soon. It’s a blessing and a curse. But I’m glad I wrote it and can’t wait to write the next one. Even if I end up with only one person who really enjoys the story, it will be worth it.

Here’s the OFFICIAL Blurb. Hope you like it.

“Did anything…uh…traumatic or horrifying happen to you lately?”
            I shuddered, nodding.
I sat cross-legged on one end of the sofa, facing Michael at the other end.
“Yeah. You could say it was horrifying.”
I was so glad today was Saturday. It was the one day of the week I didn’t have school or work. I sat cross-legged on the sofa, watching my favorite classic movie, The African Queen, and munching on a bowl of popcorn resting in my lap. Suddenly my body went rigid. I sat bolt upright. My vision spun in circles. The room became kaleidoscopic. A rushing roar echoed in my ears. Then I saw my brother Quinn running around in circles, screaming. Wide-eyed, I stared, transfixed and mute. A boy with blond dreads, wearing a black leather jacket and ripped jeans, chased him across a field. Once close enough, he threw some kind of liquid from a small red can on Quinn.  A smaller boy with spiky red hair tossed something small that glowed in the dusk. It landed on Quinn’s chest.
Flames shot high into the darkness as he screamed and continued running around the grassy enclosure. Insane laughter echoed in the still darkness. The crackling and popping of the flames snapped like firecrackers. Quinn’s arms flailed wildly, like he was trapped in a giant spider web. My hands balled into fists, wadding my skirt in my hands. I smelled the acrid, sour stench of burning flesh and hair but couldn’t scream. I was frozen—watching. Three teenaged boys, all wearing black leather jackets, surrounded him, laughing hysterically and pointing. An oddly metallic odor of sweat mingled with the bitter odor of searing flesh. Trees closed in like spectators, hovering in the blackness of night. Mute. Unemotional. Uncaring.
Quinn rolled on the grass, screaming a banshee wail while trying to put out the flames. Then he lay still. Silenced. The red-haired boy poured more of the flammable liquid onto Quinn’s back. The black-haired teen threw a match and Quinn flashed into flames again. This time there was no movement. There was no screaming. The laughter and pointing stopped. The three boys sneered at the flaming, blackened corpse at their feet.
“Too fast,” the smallest boy said, his hair the color of fire.
             “Too easy,” the black-haired boy declared with a kick at Quinn’s head. “Whatcha  gotta say fer yerself? Shoulda paid me back, slacker.” His voice slithered slowly like the snake his boots were made of.
 “Not enough fun,” said the third. He stared at his feet, his long blond dreads falling across his face until he turned his head to look at the smallest boy. A port wine birthmark covered his cheek and part of his neck.
            “Yeah. What video game did ya buy anyway? Sumthin’ with demons, I hope!” the small boy squeaked, his high-pitched voice grating on my nerves. All three of them roared with laughter.
            “Loser,” the black-haired boy said. A wad of spittle flew onto Quinn’s back and sizzled.
            Finally I screamed. As though released from bonds, I leaped up from the sofa. The stainless steel bowl of popcorn flew through the air, scattering kernels across the beige carpet and clattering upside down on the coffee table. Tears streamed down my face. My parents ran into the TV room. “Oh, my God! NO! This can’t be happening again…” I wailed, holding my head.
            “What’s the matter?” my mother, Ashley, said, as she pushed my long hair back from my sweaty face.
            Gasping with hiccups, I took a deep breath and, between bouts of crying, told them everything I’d seen. In unison they turned their heads and looked at the television. A Katharine Hepburn film danced on the screen.
            “Are you positive?” Dad asked.
            I stared my dad in the eyes and nodded. “Absolutely. You know my visions are always right. Mom.” I looked at Mom’s white face. “We have to try and find him. Maybe it didn’t happen yet. Usually it’s a warning. Remember Jarrod? And Marcy when she was three?”
Dad’s face went ashen and Mom’s hand, still resting on my back, began to tremble as it flew to her mouth.
“Oh, my God,” Mom said, “we would have lost both of them had you not seen.”
            “I’ll try to call him on his phone,” Dad said, leaving the room in a hurry.
            Moments later he returned. “No answer. Should I call the police?”
            “We don’t even know where he might be,” Mom cried, holding her face in her hands and rocking back and forth on the sofa beside me.
            Dad knelt down and made eye contact with me. At first I didn’t see him. I saw Quinn again, running across the grass in flames.
            “Where was he? Could you tell?” he asked.
            His eyes, too, were already red-rimmed, as if they knew the truth.
            “All I saw was grass. Like a park, maybe. But it seemed small. They took their time.”
             I hiccupped, crying again as images of Quinn, much younger, flashed through my mind. Trying to pedal his red bicycle as I held it steady for him. Crawling into my bed in the middle of the night because he’d watched a scary movie. Rolling around on the grass in flames, screaming.
            “I can’t just wait until we hear something. Cops won’t do anything based on a vision. I’ll drive around and see if I get lucky.” Dad looked at me, his face long and eyes sad. “I hope this time you’re wrong, hon.”
            “Me too, dad. Me too.” I shook my head, rubbing weeping eyes.
            Still hiccupping, I sat on the sofa and shut my eyes. Maybe there was a detail that would direct Dad. My head throbbed and my nose was stuffed up from crying. I hoped another migraine wasn’t starting. The scraping sounds of Mom scooting around on the floor picking up the popcorn irritated my brain. I’d noticed before that my hearing was super acute during and after a vision. But I knew she had to be doing something, so I pretended not to notice
            When Dad returned without news, we all sat in a huddle on the sofa, crying and praying. Jarrod, eleven, and Marcy, fourteen, came home and learned of my vision. Since I’d seen him die, they knew there was no hope. My visions were always true.

If you’re still interested and want to read more, click this link to buy this awesome story in eBook form (a print version will be out later in the year)


Be sure to stop by my main blog and sign up for the incredibly awesome Release Party Giveaway Pack. Release Party lasts until April 8, but the tour (and 8 more prize packs) goes all month.

Wednesday, March 30, 2011

Fun Sites and Marketing Ideas

You may love marketing and have no trouble with it, but for me telling others about my books is one of the hardest parts of being a writer. For one thing, it takes time away from my stories. I'd much rather be creating characters and scenes than searching for places to promote my books. Nevertheless, the truth is if we want readers to know about our novels, we have to tell them. So today I thought I'd share some of the places I haunt ... um visit ... to get the word out about my work. You may be familiar with some, or even all, of them. But here they are, in no particular order:

1.  Free Book Friday:  http://www.freebookfriday.com/
The site is exactly what it says. Free books are given away every Frieday. I won one time. They have four sections: Fiction, Romance, Teens, and Indie, where they do author features and interviews. I'm the featured author the first week in April for the Indie section.

Free Book Friday was created by Jessica Brody, author of two adult novels and her brand new young adult novel, THE KARMA CLUB, about three girls who decide to take Karma into their own hands by getting revenge on the ex-boyfriends who broke their hearts. To view the award-winning book trailers and read excerpts, visit her website at:


http://www.jessicabrody.com/

2.  Another site I enjoy visiting and advertising my books on is Teens Read Too.
http://www.teensreadtoo.com/

At this site, the creation of Jennifer Wardrip, you'll find book reviews, author interviews, monthly contests, author directory, a book club, and so much more.

3.  Then there is Teen Reads. http://www.teenreads.com/

You can subscribe to their newsletter, read features, reviews and see the opinions of teen reviewers about the latest books.

4.  Young Adult Books Central has tons of great stuff.
http://www.yabookscentral.com/

Kim can tell you more about this place. She reviews books for them. You can spend a whole day there, they have so much interesting info.

If you're interested in agents, try:

5.  Query Tracker: http://www.querytracker.net/

6.  Agent Query:  http://www.agentquery.com/

7.  Also the American Library Association has news about favorite books and contests, plus other things.  http://www.ala.org/.

8.  And if you want to learn how to become a millionaire writing eBooks, see Amanda Hocking's blog:  http://amandahocking.blogspot.com/2011/03/some-things-that-need-to-be-said.html

And:  http://www.thestar.com/entertainment/books/article1948078--how-a-failed-author-made-2-million-from-e-books
The latest news is that she's signed a deal with a major publisher.

Now this should keep you busy. Oh, don't forget to write a little too.

Any more places to add?

Monday, March 28, 2011

How much is too much in YA? Or; don't be afraid of the squicky stuff.

Last fall, I was on a panel at a convention, and the topic of the convention was "What's too scary for YA"? I think that was it, but if not it was the gist of it. My answer was, "If you've read THE HUNGER GAMES, pretty much nothing." It's kind of a flippant answer, but the audience laughed and that's what I was going for.

But it's a valid question. There's nothing 'out of bounds' for YA literature; if you've read widely, you know this. I once had a publisher decide not to release a series of books I had worked on freelance, because the main source of magic was a weird kind of shotgun. The series was TERRIFIC as far as I was concerned, and I tried like anything to get them to put it out there. "Have you seen what's on the YA shelves? Have you physically gone to the bookstore and looked? There's drugs, suicide, rape, death, cutting, abuse. These books use guns to shoot magic -by YA standards they're practically tame!" But in the end they did not put them out there. A shame, because they were really wonderful.

Not that all YA is like that, of course. There are plenty of stories that have hard choices but no squick, some that involve emotional choices instead of physical ones. But YA writers certainly don't shy away from difficult issues or events in their books. Bad Things happen in Upper-Middle Grade stories too, and in adult stories. But if I were to write about a death, for example, you would write each differently. Murder happens in MG books, but you probably won't see it, it will happen 'off screen', and the reader will hear about it after the fact, or if a car goes over the cliff and explodes, we can assume the passenger is in fact dead, but the author might not write about the flying brain matter or the smell of burning hair. In YA, the murder might happen 'on screen', and it will be a little more graphic but an explosion might include the more detail. In an adult novel, well, if you've read Stephen King (which I read in High School, but that's another story), then you know what I mean.

Just like writers shouldn't turn their characters away from the hard choices, they shouldn't turn away from the tough scenes. If someone's going to die, they need to die. If they're going to be in a fight, or assaulted, or stabbed by a letter opener, they should be. It can happen on the page and not be 'too adult'.

In my novels, I've had people die in nasty ways-- being eaten by a Minotaur (happened in the dark while people ran away, no one actually saw it), sucked into the floor of an Ancient Egyptian temple, and nearly fall over a cliff. I had a main character chop off a monster's head. And these are TWEEN books. With a few well-turned phrases and a character that shut her eyes, the scene was perfect; in fact, one Amazon reviewer said the book was 'surprisingly clean and gore-free', even though the mythology I was using was decidedly...not. The 'squick' was part of the story I needed to tell, and skipping it would have meant I was shorting my readers and my characters, denying them the payoff and the thrill of the adventure. It would have meant that I was the coward. If it's too easy, it's not worth the effort of reading. If the same book was YA, I probably would have written that scene differently. Probably.

Bad things happen to good characters. Sometimes really bad things. Just ask Katniss. But, a good writer will allow those bad things to happen without making them sound either less frightening or important than they are or too graphic for the intended reader.

Because every story needs a little surprise, doesn't it?

Saturday, March 26, 2011

Diana Wynne Jones, 1932-2011

Diana Wynne Jones 1932-2011

Diana Wynne Jones, British YA fantasy author, has just died. I don’t have any details yet, though I’m sure they will begin popping up over the next couple of days.

I began collecting and reading her books back in the early 1980’s and have virtually all of them. Aside from all the fantasy sets and stand-alones, there’s the “Tough Guide to Fantasyland”, an excellent primer for fledgling fantasy authors (and readers) on many of the pitfalls in genre-spinning, set up as a kind of fantasy adventure. People may know her best for “Howl’s Moving Castle” because it was turned into a film a few years ago.

The World Fantasy Con gave her a Lifetime Achievement Award a few years ago, but that did nothing to slow down her literary output! J She won the Mythopoeic Award for the Dalemark books. Alas, I’ve never finished reading these—somewhere in the midst of Diana’s lengthy career I just plain ran out of time to read--that includes reading my favorite authors. (This is exacerbated by the fact that I am an incredibly slow reader, so once I got behind I’ve lost all hope of catching up.) BTW, she was also nominated for the Mythopoeic on several other occasions.

I was introduced to Diana Wynne Jones via her Chrestomanci series, which is/was still ongoing at the time of her death. These are set in a universe where magicians perform real magic, generally divorced from the forces of good or evil. However, when someone steps over the edge, there’s the head of the magicians to set things straight—and provide yet another exciting and often humorous adventure. I particularly enjoyed "The Magicians of Caprona", which reminded me a bit of a comic light opera. Actually, I recommended this to a part-time opera singer with whom I used to work and she said she enjoyed it.

Probably my favorite books are not as well known today. There’s “Archer’s Goon”, in which amongst other things a large kind of half human, half-troll takes up residence in a household, without really explaining why. Chaos erupts in the house and spills over into the street and through the town, until the hysterical reason for all the disruption becomes clear toward the end of the story.

My other favorite is “The Ogre Downstairs” which sounds like the same book, doesn’t it? Far from! A blended family courtesy of a marriage between a widow with children and a widower who also has children is the driving force here. The woman’s children refer to their new step-father as “the ogre”. (Hint: he neither looks nor acts like one.) In the course of the story the children come into possession of a very special and perhaps mischievous chemistry set. Thanks to the property of the materials and the experiments suggested in the box, hysterical, dangerous and just plain loony situations and adventures erupt. One of my favorite parts involves dust bunnies coming to life and being hunted and eaten by toffee candies which are rather like panthers. The toffee panthers, liking warmth like most cats, tend to want to take naps on the heat radiators and sometimes melt themselves to death, making for messes that are fairly difficult to explain to a grown up.

I had the pleasure of meeting Diana Wynne Jones at an early-mid 1980’s convention. Sadly, I’m not sure which one it was but it would have been either a Darkover when they were still held in Wilmington DE, or else a PhilCon in Philadelphia. Ms. Jones told us many fascinating stories and read from her works. She talked about her sons and I remember her saying that while she had trouble with technology including machines like cars, he was very good when it came to fixing them—which worked out fairly well for her.

Well, she wasn’t kidding about the peculiar tech problems she had. Picture this—honestly just as it happened. As at most conventions, the authors, editors, agents and publishers would sit usually in groups of 5 at a raised table at one end of the room for panel discussions. In most cases, as in this case, there would be two microphones on the table which the guests would shift around so that the current speaker could be heard. The microphones worked quite well for everyone except Diana. Whenever she so much as touched one, out of the speakers in the room would come very loud Christmas Carols. (It was late November and this is what the host hotel was playing in the hallways and restaurants.) It didn’t matter which microphone she touched. It just kept happening. No carols came forth for any of the other speakers. All we could do was go “Whoa!”, and all Diana could do was not touch a mike and speak very loudly.

C. S. Lewis said once that in Heaven all is silence or music. (Hell is all noise.) I sincerely hope that Heaven’s music flows around its denizens without the benefit of tech.

R.I.P. Diana.

------------------------------

From another site:
Diana Wynne Jones was born in London in 1934 and studied at Oxford with both C. S. Lewis and J. R. R. Tolkien. In 2007, she received the World Fantasy Award for Lifetime Achievement.

-----------------------------


My Partial Bibliograpy:

A Sudden Wild Magic

Archer’s Goon

Aunt Maria

Black Horses for the King

Castle in the Air

Changeover

Chrestomanci cycle (includes Conrad’s Fate, Mixed Magics, Charmed Life,

The Magicians of Caprona)

Witch Week UK US

The Lives of Christopher Chant

Dalemark Quartet (includes Cart and Cwidder, Drowned Ammet, The Spellcoats, The Crown of Dalemark)

Dogsbody

Enchanted Glass

Fire and Hemlock

Eight Days of Luke

Hexwood

House of Many Ways

Howl’s Moving Castle / Howl Tales

Power of Three

Puss in Boots

Stopping for a Spell

Time of the Ghost

The Four Grannies

The Game

The Homeward Bounders

The Merlin Conspiracy

The Ogre Downstairs

The Year of the Griffin / Dark Lord of Derkholm

Tough Guide to Fantasyland

Unexpected Magic (sh stories)

Who Got Rid of Angus Flint?

Wild Robert

Wilkin’s Tooth

Witch’s Business

Other sites with information

Amazon:

http://www.amazon.com/gp/search/ref=sr_tc_2_0?rh=i%3Astripbooks%2Ck%3ADiana+Wynne+Jones&keywords=Diana+Wynne+Jones&ie=UTF8&qid=1301165849&sr=1-2-ent&field-contributor_id=B000AP7PX0

J Scalzi’s blog:

http://whatever.scalzi.com/2011/03/26/diana-wynne-jones/

SF Site:

http://www.sfsite.com/news/2011/03/26/obituary-diana-wynne-jones/

Official Websites:

http://www.leemac.freeserve.co.uk/

Many Worlds of DWJ:

www.dianawynnejones.com/dwjflash.htm

Wikipedia:

http://en.wikipedia.org/wiki/Diana_Wynne_Jones

Friday, March 25, 2011

Dreaming My Life Away


Do you dream? I don't mean daydream, those wishful thinking, what-if dreams of the daylight. I mean the dreams that take hold at night, during the hours of dark and quiet.

Sometimes I dream very vividly, almost startingly so. If I wake during the dream, I always believe that I'll surely remember "this" one because it is so strange/powerful/meaningful etc. And I seldom do. Oh on occasion, I will remember bits and pieces, but rarely the whole thing. And it's always interesting to me when something stirs the memory of a dream. It's like being in fog - you can sort of make out the objects around you, but they aren't quite clear.

Once, though, when I was hospitalized and on pain meds, I had a dream to beat all other dreams. I "saw" one of the main characters in my books, standing next to the bed. He chatted softly with me. I wasn't alarmed at all, but rather comforted by his presence. In the books, he is a wise and gentle man. So, it was not a surprise to find him so once he had stepped from the pages of the book into "reality". I have had other dreams about "him" as well. You see, I have a 6 foot mannequin in my room of this character that I take to Ren Faires to grace my booth. And occasionally I have dreams about him just moving about a bit, coming to life. I respect his wisdom, his knowledge, his compassion.

It makes it sound like he is a "real" person. Perhaps he is, on another dimension or something. Sometimes when I read his dialogue, I wonder where it came from. I don't have that sort of command of language. I am not that wise. I am not near that patient. So, it always surprises me to read his dialogue. What inner part of me is that coming from? Is it coming from the same places the dreams come from?

I have heard many, many authors who claim that their characters are, in fact, real, not merely a figment of their imagination. And sometimes I wonder - where are these characters? Are they existing in another dimension that we can only touch during our dreams?

JennaKay Francis author of The Guardians of Glede fantasy adventure series
http://www.jennakayfrancis.com

Wednesday, March 23, 2011

The Typical Teen

The typical teen is way into texting (or maybe even sexting) and going to the mall, and the latest pop stars. They dress in skimpy clothes and make sure to watch Glee every week.

Right?

Or is it?

Is there a typical teen?

For that matter is there a typical adult?

One problem with writing for teens when your teen years are a wee bit in the past, is that things do change and I find that things I liked or did as a teenager may not resonate with kids of today.

But that's okay. I have a teenager of my own. I can see what she likes and use that. Right?

Maybe not.

My teen doesn't fit the above example of a typical teen. (Maybe no one really does). Her sport of choice is archery, she doesn't like to text - though she has plenty of chats with people on Facebook. She doesn't watch Glee, instead her favorite TV show is the Robin Hood series from the 1950s. (We have a few seasons on DVD). She does like to go to the mall with her friends, but she's not into buying clothes (they have a uniform at their public middle school, and that may play a part). She writes for fun (to the amusement of her classmates) and is never without a book.

And she has friends just like her. (Except maybe the Robin Hood TV series part).

Once a critique buddy questioned my use of a reference to a song from Grease in my story. She wondered perhaps if teen's today would know it.

I know my daughter would know it. She's seen three different live productions of Grease - and each time she's known people in them.

Pop culture for today's teens doesn't necessarily start the moment they're born. They can still experience things that pre-date them.

So don't worry that the teen you are writing doesn't look act like a 'typical' teen. That teen will be like someone. And that person will be delighted to find a character to relate to.


Monday, March 21, 2011

A Must Follow on Twitter

I just found out one agent is now on Twitter.  It's Donald Maass.  I was lucky I got to attend his Breakout Novel workshop with a bunch of writer friends a few years ago.  His workshop was great.


Follow him at @DonMaass

He's been twittering daily #breakout prompts

Here's an example:

For your MC, what are the best things about these times? The worst? Create a passage of his/her take on this era.

If you haven't read the book, do!  In the meantime follow him and pick up some great prompts.